Friday, June 28, 2019

Lupine Publishers-Journal of Textile and Fashion Designing



During recent years, a good deal of research into textile structural composites has been conducted for application in defence, space and civilian areas. Because textile structural composite materials are attractive specific properties compared to those of metals. For instance, the NASA-ACT program encouraged the researcher to initiate fibre-based advanced materials, as indicated by Dow and Dexter as well as Dexter and Hasko [1,2]. The use of textiles for technical applications has been on the rise, particularly as composites for engineering purposes. Textiles can provide performance advantages, most notably in terms of high strengthweight ratios compared to metal counterparts. This is ideal for automotive applications, where reduced weight contributes to fuel efficiency and improves ease of handling in the manufacturing process. Textile composites have been defined as “the combination of Ares in system with a textile fibre, yarn or fabric system”.The use of fibre-reinforced polymer composites (FRPC) in structural components has been being attractive to many industry sectors for decades due to their high strength-to-weight and stiffness-to weight ratio as well as high resistance to environmental degradation, which potentially lead to both energy and economic benefits over metal parts [5]. In addition, mechanical properties of FRPC can be optimized for a specific application by tailoring material content as well as orientation of reinforcing fibres in the composite. These advantages, however, can only be provided with very large manufacturing cost premiums at the present. This has been restricted the use of FRPC primarily in relatively low-volume and niche applications such as aerospace or luxury vehicles. In order to support the widespread adoption of these advanced materials, technology advancements are demanded that enable cost-effective manufacture of FRPC for high-volume applications-Lupine Publishers.
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Tuesday, June 25, 2019

Lupine Publishers-Journal of Textile and Fashion Designing



The proposed model of predictions of volume wicking and wetting in 3D terry woven fabrics is based on the simplified description of the thread of terry structure, and it works with the woven fabrics description of loops thread structure. The following terry woven fabrics parameters are used in the model: woven structures, fineness of fibers, and number of fibers at the cross-section in the warps (loop, ground) and the filling. The formation of loops levels and the liquid in the longitudinal textile is described in detail, and particular phenomena are discussed. Important parameters are used in the model of wicking, limit and their performance, and facilitate evaluation of a three-dimensional plain pile warp woven fabrics. Simulation results provide information of liquid volume wicking and wetting into terry woven fabrics assemblies as a function of time. The work focuses mainly on the relationship between fiber orientation and the liquid wicking and wetting rate, the results are potential volume porosity theory in agreement with known experimental evidence. The parameters with very small influence in usual threads are disregarded. The proposed wicking and wetting model allows a functional dependence of suction height on the parameters of the fiber bundle to be expressed in analytical form-Lupine Publishers.



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Monday, June 24, 2019

Lupine Publishers-Journal of Textile and Fashion Designing



Cosmeto textiles, has promising, fast emerging market for both the cosmetics industry and the textile industry. There are different types of Cosmetotextiles which are classified on the basis of end use, ingredients used and fabric used. A wide range of agents used in Cosmetotextiles are aromas and perfumes, slimming agents, moisturising agents, anticellulite agents, sunlight absorption agents and antioxidants agents. Cosmetotextiles are fashioned by grafting, microencapsulation, coating technique, doping and by incorporating different substances for health or body care that are steadily transferred to the skin by movement, pressure or the effect of the skin’s natural warmness. There are various synthetic and natural materials which are used in Cosmetotextiles such as fruit extract, like essential oils, plant extracts, flower extracts, and animal extracts as natural sources along with some synthetic substances including zinc oxide, iron oxide, ethane diol and zinc nano particles and many others. The pioneering development of Cosmetotextiles can be as wide as thoughts & imagination. It is projected that the development of Cosmetotextiles will continue to grow and discover completely new possibilities for providing various body care functions to the wearer in the near future-Lupine Publishers.



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Friday, June 21, 2019

Lupine Publishers-Journal of Textile and Fashion Designing


Dirty Linen? by Ashok Athalye in LTTFD- Lupine Publishers.

Linen used to be the most widely used textile material for apparel clothing for ages during the primordial era. Additionally, owing to its strength, durability and long lasting property, the ancient Egyptians were considered to use it even as a currency. Thus, Linen was an intrinsic and intimate component of human life and it was valued so much that cleaning of household cloths in public place probably led to the popular colloquial term of washing dirty Linen (personal matters that could be embarrassing if made public). Linen which ruled the northern hemisphere garb for thousands of years lost its importance in the last few centuries as another natural fiber “Cotton” also initially marketed as white gold gained prominence during British colonization in Asia and the advent of industrialization. Availability of vast land mass for cultivation of cotton in Indian subcontinent, claimant tropical weather conditions, cheap labor, ease of downstream processing, etc boosted popularity of cotton and it became the most popular textile substrate around the globe within a short time. Linen, which enjoyed a lion’s share among the natural farm-cultivated textile substrates until the 17th century, lost its mare and reduced to hardly 1 % of total textile fiber consumption by mid 19th century. However, last few decades have witnessed revival of Linen and usage of this long and thick fiber in apparel and home furnishing segment- Lupine Publishers.


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Thursday, June 20, 2019

Lupine Publishers-Journal of Textile and Fashion Designing

    
  
Jewellery is a mesmerizing term which any feminine gender would love to admire and afford. Instantly, this magic term recalls about ornaments made up of gold, silver, platinum etc., in our minds. But the 21st century scenario is very different where the word jewellery has a different connotation. In the recent years, may be women would have felt jaded of using the above mentioned ornaments which led to a change in artificial jewellery. Popularly termed as funky, imitation, bling, modern or fashion etc., are the new terms and the current trends go on. Though, such discernments are stated to revelation on the social status, invariably such artificial jewellery is worn right from the poor to the rich. No doubt that so called artificial jewellery has made a mini industrial revolution among the metropolitan women who are supposed to admire such antiques wearables from head-to-toe [1,2]- Lupine Publishers. 


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Wednesday, June 19, 2019

Lupine publishers-Journal of Textile and Fashion Designing




Some 880 trends died this century, I was reading somewhere. There is fatalism behind these numbers. Isn't it a way of life lost? The danger is to the small industries that get set up to sustain that trend. Why isn't this seed taken forward? When we do trend analysis, then what do we calculate. We search the reasons of its evolution and its growth and then fading out. But do we also take in consideration of the loss of culture, myth and storytelling when a trend dies. As a storyteller I have often wondered, would we have had the story of Ras leela of Lord Krishna, if the trend of community bathing was not there in ancient Indian culture. Because when that trend disappeared, well so did the stories of Ras leela (Figure 1). And we have to be aware of the fact that trends of fashion and print evolve from the community or social trends as we call it. For example during the Jazz Age, Cloche hat became increasingly popular because women loved the look of cloche hat paired with their Eton cropped hair-Lupine publishers.
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Tuesday, June 18, 2019

Lupine Publishers - Journal of Textile and Fashion Designing



Weaving is one of the indigenous crafts, very common in the Ghanaian tradition. This craft is very much associated with three regions in Ghana. These are Volta region in the southern sector, Ashanti region in the middle sector and Northern region in the northern sector. Prominent areas within these regions are AvetimeKpetoe in the Volta region, Bonwire in the Ashanti region and Daboya in the Northern region. Woven fabrics produced from each of these areas possess specific characteristics different from other. The purpose of the study was to ascertain the production processes involved in the manufacturing of Daboya"Benchibi" and Bonwire"Kente". The study aimed at bringing out the similarities and differences in the Daboya"Benchibi" and Bonwire"Kente". The study centred on the qualitative design paradigm and employed the descriptive research method. The study used observation and interview as data collection instruments to identify, describe and analyse the production process, differences and similarities in the production processes of the two weaving traditions - Lupine Publishers.


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Monday, June 10, 2019

Lupine Publishers| Cluster Against Climate

Lupine Publishers| Trends in Civil Engineering and its Architecture Life on Earth depends on the circuit of water, carbon and every...